BEGIN:VCALENDAR
VERSION:2.0
PRODID:-// - ECPv6.17.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://thebuffalohive.com
X-WR-CALDESC:Events for 
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T080000
DTEND;TZID=America/New_York:20260824T170000
DTSTAMP:20260319T210615Z
CREATED:20260319T210002Z
LAST-MODIFIED:20260319T210615Z
UID:10039602-1787558400-1787590800@thebuffalohive.com
SUMMARY:Buffalo Farmer's Market — Clinton-Bailey Farmer's & Flea Market
DESCRIPTION:The Niagara Frontier Growers Co-operative Market\, Inc. was born in October 1930. The objectives of the co-op were to promote\, foster and encourage the intelligent and orderly marketing of agricultural products between producer and consumer. The co-op was also formed to make the distribution of agricultural products between producer and consumer as direct and efficient possible. \nNiagara Frontier Growers leased the land from the railroad until the 1950’s when it then purchased the land. Over the years \, the Market became known as the Clinton-Bailey Farmers Market and has become a vital link in Western New York’s food distribution. \nOver the years\, many Western New York farmers and growers have brought some of the finest locally grown products to the Market for distribution. Some farmers traveled more than 2 hours to sell their goods at the Market. In the early years of the Market many of the farmers would transport their goods by horse and buggy! \nToday\, the location of the Clinton-Bailey Farmers Market is central within the growing region and central within the “food distribution hub” of the City of Buffalo. Hundreds of thousands of customers pass through the Market each year to purchase fresh locally grown goods direct from the farmer insuring healthy eating and savings to the end consumer. \nThe Market has also become a desired destination for those looking to purchase flowers\, vegetable plants\, herbs\, shrubs and Christmas Trees. Many wholesale buyers include major grocers\, institutions\, neighborhood markets\, restaurants\, caterers\, garden centers and other farm market stands that come to the Market every Tuesday\, Thursday and Saturday morning as early as 4:00 AM. \nCLINTON BAILEY MARKET\n1443 – 1517 Clinton Street\nBuffalo\, NY 14206
URL:https://thebuffalohive.com/event/clinton-bailey-farmers-flea-market-2/2026-08-24/
LOCATION:Clinton-Bailey Market\, 1443 Clinton St.\, Buffalo\, NY\, 14206\, United States
CATEGORIES:Food & Drink
ATTACH;FMTTYPE=image/png:https://thebuffalohive.com/wp-content/uploads/2024/07/clinton-bailey-logo-1-1-300x159-1.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T100000
DTEND;TZID=America/New_York:20260824T170000
DTSTAMP:20260819T153325Z
CREATED:20260819T003820Z
LAST-MODIFIED:20260819T153325Z
UID:10042629-1787565600-1787590800@thebuffalohive.com
SUMMARY:Buffalo Art: Let Us Gather in a Flourishing Way
DESCRIPTION:Image above: Rogelio Báez Vega (Lives and works in Santurce\, Puerto Rico). New York Department Store\, Bayamón Branch\, 2024–25. Oil\, beeswax\, and gold powder pigment on canvas / Óleo\, cera de abeja y polvo de oro sobre lienzo. 48 × 72 in. (121.9 × 182.9 cm). Courtesy of the artist. Photo: Courtesy of the artist  \n  \nLet Us Gather in a Flourishing Way explores contemporary Latinx artists’ innovations and interventions within established traditions of painting\, inviting discussion on a variety of themes and revealing the diversity and expansiveness present within the field. The fifty-eight artists in the exhibition—and those in the Latinx field more broadly—encourage us to interrogate the continued relevance of boundaries\, from political borders to disciplinary confines. This exhibition therefore celebrates artists whose expressions are first and foremost personal and subjective\, but whose heterogeneous and culturally specific interventions enrich one another and the history of American and contemporary art\, two fields from which such artists have been historically excluded. Inspired by former U.S. Poet Laureate Juan Felipe Herrera’s poem “[Let Us Gather in a Flourishing Way]\,” the show celebrates abundance and presents a vision of Latinx art that is\, like the diaspora itself\, infinitely complex. \n\n\n\n\n  \nDavid Antonio Cruz (Lives and works in New York). iknowyou’vebeenwonderingwherei’vebeen:adrift\,adraft\,astare\,atilt\,asigh\,exhale.but\,icamebacktoletyouknow\,gotathingforyou\,andican’tletitgo_the raft.\, 2024. Oil\, acrylic\, and ink on wood panel / Óleo\, acrílico y tinta sobre panel de madera. Two panels\, each 72 × 48 in. (188 × 121.9 cm). Overall 72 × 98 1/2 in. (188 × 250.2 cm). Collection of Igor DaCosta. Photo: Robert Chase Heishman\, courtesy of the artist and Monique Meloche Gallery\, Chicago \nThe show’s intergenerational and regionally broad dialogue is reflected in seven thematic groupings: (New) Histories\, offering new perspectives on personal\, cultural\, and global histories; Bodies & Figures\, representations of and by marginalized people\, considering the importance of the body\, and who is or isn’t seen in an image; Identity/Place\, a consideration of how identity and place shape each other with a diasporic lens; Land/tierra\, varied approaches to land and the built environment\, from the material to the imaginary; Community\, highlighting various communities—artistic\, blood\, and chosen—and their importance to populations within the diaspora; Pinturx\, contemporary Latinx approaches to traditional painting genres like still life and portraiture; and Abstractions\, exploring centuries-long Indigenous and European abstract traditions still in use by artists today. \nAllowing for cacophony and heterogeneity in its narratives\, the exhibition takes its cues from the artists themselves\, who are actively cultivating the landscape of contemporary painting as visitors will experience it in the museum. Rather than telling a finished story\, as survey exhibitions often do\, this exhibition gives audiences a peek into this vibrant and lively active network. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nYvette Mayorga (Lives and works in Chicago). The Brunette Latinx Self Portrait After François Boucher’s “The Brunette Odalisque\,” c.1745\, 2022. Acrylic nails\, acrylic marker\, false eyelashes\, collage\, plastic rings\, plastic nail charms\, rhinestones\, car wrap vinyl\, and acrylic piping on panel / Uñas acrílicas\, marcador acrílico\, cejas postizas\, collage\, anillos de plástico\, decoraciones de plástico para uñas\, diamantes de imitación\, vinil de auto y acrílico aplicado con manga pastelera sobre panel. Overall 60 × 120 × 2 in. (152.4 × 304.8 × 5.1 cm). Courtesy of the artist. Photo: Robert Chase Heishman\n\n\n\n\n\nVincent Valdez (Lives and works in Houston). The Sea\, 2020. Oil on canvas / Óleo sobre lienzo. 50 × 70 in. (127 × 177.8 cm). Courtesy Matthew Brown. Photo: Paul Salveson\, courtesy of Matthew Brown  \n  \n\n\n\n\n\n\nManuela Gonzalez (Lives and works in Lake Worth Beach\, Florida). Inanna\, 2024. Acrylic on mixed fabrics / Acrílico sobre tejidos mixtos. Overall 66 × 58 × 2 in. (167.6 × 147.3 × 5.1 cm). Collection of the artist.\n\n\n\n\n\nLilian Martinez (Lives and works in Los Angeles). Garden Club\, 2024. Acrylic on canvas  / Acrílico sobre lienzo. 50 × 65 in. (127 × 165.1 cm). Collection Buffalo AKG Art Museum\, Gift of Pamela and David Hornik\, 2025 (2025:9). Photo: Deen Babakhyi\, courtesy of the artist and OCHI\n\n\n\n\n\nEamon Ore-Giron (Lives and works in Los Angeles). Talking Shit with Illapa (variation I)\, 2023. Mineral paint and Flashe on canvas / Pintura mineral y Flashe sobre lienzo. 72 × 96 1/8 in. (182.9 × 244.2 cm). Collection Buffalo AKG Art Museum\, George B. and Jenny R. Mathews Fund\, 2024 (2024:6). Photo: Brenda Bieger\, Buffalo AKG Art Museum\n\n\n\n\n\nPatrick Martinez (Lives and works in Los Angeles). Promised Land\, 2022. Acrylic\, stucco\, neon\, Mean Streak\, ceramic\, spray paint\, latex house paint\, banner tarp\, ceramic tile\, tile adhesive\, and family archive photo collage on panel / Acrílico\, estuco\, neón\, Mean Streak\, cerámica\, pintura en aerosol\, pintura de látex para interior\, cartel publicitario\, azulejos de cerámica\, adhesivo para azulejos y collage de archivo fotográfico familiar sobre panel.  84 × 192 × 7 in. (213.4 × 487.7 × 17.8 cm). Collection Buffalo AKG Art Museum\, George B. and Jenny R. Mathews Fund\, 2022 (2022:78). Photo: Yubo Dong\, ofstudio photography\, courtesy of Charlie James Gallery\n\n\n\n\n\nCandida Alvarez (Lives and works in Baroda\, Michigan\, and Chicago). Flor de Caballo 3\, 2022. Acrylic on linen  / Acrílico sobre lino. 48 × 48 in. (121.9 × 121.9 cm). Courtesy of the artist. Photo: Robert Chase Heishman\, courtesy of the artist and Monique Meloche Gallery\, Chicago\n\n\n\n\n\nCarlos Rosales-Silva (Lives and works in New York). Peep Hole 3\, 2023. Crushed stone and glass bead in acrylic paint on panel / Piedra molida y cuentas de vidrio en pintura acrílica sobre panel. Overall 50 × 40 × 1 1/2 in. (127 × 101.6 × 3.8 cm). Courtesy of the artist and Sargent’s Daughters. Photo: Nicholas Knight\n\n\n\n\n\nPrevious slideNext slide\n\n\n\n\n\n\n\n\n\n\n\n\nLet Us Gather in a Flourishing Way is organized by the Buffalo AKG Art Museum and curated by Curator Andrea Alvarez. It will be followed by a national tour including presentations at the Des Moines Art Center\, the Museum of Contemporary Art Denver\, the Phoenix Art Museum\, and the Frye Art Museum\, Seattle. \n\n\n\n\n\n 
URL:https://thebuffalohive.com/event/buffalo-art-let-us-gather-in-a-flourishing-way/2026-08-24/
LOCATION:Buffalo AKG Art Museum\, Buffalo\, NY\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/08/baez_vega.jpeg
ORGANIZER;CN="Buffalo AKG Art Museum":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T100000
DTEND;TZID=America/New_York:20260824T170000
DTSTAMP:20260819T154435Z
CREATED:20260819T004950Z
LAST-MODIFIED:20260819T154435Z
UID:10045714-1787565600-1787590800@thebuffalohive.com
SUMMARY:Buffalo Art: Ali Banisadr: Temple of the Mind
DESCRIPTION:Image above:Ali Banisadr (American\, born Iran\, born 1976). Weighing of the heart\, 2023. Oil on linen. 48 x 60 inches (121.92 x 152.4 cm). © Ali Banisadr. \nFriday\, June 26\, 2026–Sunday\, November 8\, 2026 \n\n\n\n\n\n\n\n\n\n\n\nRobert and Elisabeth Wilmers Building\n\nImitation is not inspiration\, and inspiration only can give birth to a work of art.\n—Albert Pinkham Ryder\n\nAli Banisadr merges the compositional elements of landscape painting with abstract mark-making to create an altogether new form of figuration. The resulting compositions are a carefully composed bedlam of forms that suggest but ultimately deny any specific narrative. Variously reminiscent of gardens of Eden\, the seasonal genre pictures of Flemish Renaissance painter Pieter Bruegel the Elder\, and Boschian depictions of Hell\, Banisadr’s contemporary abstractions call upon the history of painting. The title of the exhibition\, borrowed from Albert Pinkham Ryder’s enigmatic painting\, The Temple of the Mind\, serves as a conceptual framework for the project\, suggesting a space where perception\, memory\, and imagination converge. While the Romantic painter was admired for his pioneering\, semi-abstract style\, for Banisadr\, Ryder holds a space for contemplation amid rising uncertainties. \nAli Banisadr (American\, born Iran\, 1976). Return to Mother\, 2022. Oil on linen. 82 x 180 inches (208.28 x 457.2 cm). © Ali Banisadr.\nGiven his deep interest in art history\, the Buffalo AKG has invited Banisadr to participate in the first-ever artist collection intervention. In addition to the installation in the Hemicycle Gallery\, a focused selection of Banisadr’s work will be installed throughout the Robert and Elisabeth Wilmers Building\, among the dreamlike imaginings of the Surrealists and the unbridled energy of the Abstract Expressionists. \nBanisadr reaches across time to draw on a wide range of influences. From art\, history\, literature\, and mythology to music\, film\, and technology\, he thinks of such sources as guiding his hand rather than driving his imagery\, and the powerful microcosms he creates are uniquely his own. Within these layered compositions\, subtle references to current events and the human condition—conflict\, migration\, and collective uncertainty—emerge and dissolve within the flux of his painterly language. Originating from one spontaneous moment to the next\, hidden figures and beguiling narratives reveal themselves to those who slow down in the present moment. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nAli Banisadr (American\, born Iran\, 1976). The Witness\, 2025. Oil on linen. 28 x 36 inches (71.12 x 91.44 cm). © Ali Banisadr.\n\n\n\n\n\n\n\n\n\n\n\n\nBanisadr’s works often evoke the natural world\, its shifting terrains and elemental forces\, while also suggesting cosmological dimensions that extend beyond the visible. Furthermore\, the artist’s unusual experience as a synesthete—a blending of the senses—also informs his practice. Over the years\, he has learned to allow his unique perceptions to guide his process\, leaning into the ways that color evokes specific sounds of harmony or discord. \nFrancisco de Goya (Spanish\, 1746–1828). Mucho hay que chupar (There is Plenty to Suck) from\, “Los Caprichos\,” 1799. Etching with aquatint. image area: 8 1/8 x 5 inches (20.64 x 12.7 cm); sheet: 11 1/2 x 8 1/8 inches (29.21 x 20.64 cm). Collection Buffalo AKG Art Museum. Gift of Frederic P. Norton\, 1999 (P1999:6.209).\nThe presentation in the Hemicycle Gallery will also feature an installation that delves deeply into the artist’s influences and process through materials from his studio and an artist-curated selection of works from the museum’s collection. From Andō Hiroshige’s evocative woodcuts and Francisco de Goya’s intense\, sometimes nightmarish\, depictions of violence and superstition to the artist’s sketchbooks and other visual cues\, visitors are invited to immerse themselves in Banisadr’s curious\, fantastical world. \nThe exhibition will be accompanied by an audio journey voiced by Banisadr and will debut a new etching created with the team at Mirabo Press in Buffalo\, New York. A short-documentary film on the artist is also in development. \n\n\n\n\n\n\n\n\n\nAli Banisadr: Temple of the Mind is organized by the Buffalo AKG Art Museum and co-curated by the artist and Godin-Spaulding Senior Curator for the Collection\, Holly E. Hughes.
URL:https://thebuffalohive.com/event/buffalo-art-ali-banisadr-temple-of-the-mind/2026-08-24/
LOCATION:Buffalo AKG Art Museum\, Buffalo\, NY\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/08/exh5129-alibanisadr_edgeless.jpeg
ORGANIZER;CN="Buffalo AKG Art Museum":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T100000
DTEND;TZID=America/New_York:20260824T170000
DTSTAMP:20260819T010848Z
CREATED:20260819T010848Z
LAST-MODIFIED:20260819T010848Z
UID:10045014-1787565600-1787590800@thebuffalohive.com
SUMMARY:Buffalo Art: All I ever wanted was a place - A Centennial Celebration of Robert Creeley
DESCRIPTION:On view May 21 through December 7\, 2026. A special installation marking the centennial of poet Robert Creeley’s birth\, celebrating his more than forty-year connection to the museum and thirty years living and teaching in Buffalo\, in partnership with UB’s Poetics Program\, UB Art Galleries\, Just Buffalo Literary Center\, and Black Rock Arts. \n  \n \n\n\n\n\n\n\n\n\n\nPoetry Today symposium for The Buffalo Festival of the Arts Today\, March 5\, 1965\, in the Albright-Knox Art Gallery Auditorium. From left: David Posner (moderator)\, Robert Graves\, William D. Snodgrass\, and Robert Creeley. Image courtesy of the Buffalo AKG Art Museum Archives. \n\n\n\n\n\n\n\n\n\nWest Corridor\, Knox Building\nCelebrated American poet Robert Creeley (1926–2005) had a connection to the Albright-Knox Art Gallery (now the Buffalo AKG Art Museum) that spanned more than forty years\, from speaking to artist collaborations. His first engagement with the museum was in March 1965\, when he took part in the Poetry Today symposium for The Buffalo Festival of the Arts Today. The sixteen-day event attracted more than 300\,000 guests and received nationwide acclaim. During the symposium\, Creeley stated\, “Whatever provokes in me this response to the innate rhythm of a poem\, whatever it is\, one singly follows one’s own answer\,” expressing his deeply felt and responsive style. \nThe poet collaborated with some of the most celebrated contemporary artists\, forming lasting relationships with them before the actual “work” took place. Artist Alex Katz\, a collaborator on Edges\, stated\, “Working with Bob makes me feel bright.” In May 1972\, Marisol wrote a letter to Creeley after receiving the text for Presences: A Text for Marisol (1976)\, “It is really amazing how you could do something so close to me from seeing me so few times.” Creeley mirrored Marisol’s sculptural process in his prose\, creating what he called an “active complement.” \n“All I ever wanted was a place\,” Creeley writes\, in a 1988 collaboration with artists Robert Therrien and Michel Butor. The poet arrived in Buffalo in 1966\, teaching at the University at Buffalo for more than thirty years. He was the inspiration behind Just Buffalo Literary Center and went on to co-found UB’s Poetics Program. In his later years\, he was often called “the man in Black Rock.” On this centennial of his birth\, we celebrate the indelible mark Creeley made on the literary and artistic life of this place.\n \n\n\n\n\n\n\nRobert Creeley Centenary (2026)\n\nThis year marks a century since Robert Creeley’s birth. On May 21 and 22\, join us in commemorating his life and work in Buffalo\, where he lived for more than thirty years\, in partnership with the University at Buffalo Poetics Program\, the University at Buffalo Art Galleries\, Just Buffalo Literary Center\, and Black Rock Arts. \n\n\n\n\n\n\n\n\n\n\n\n\n\n\nHome\n\n\n\n\n\n\nBuffalo AKG Art Museum\n1285 Elmwood Avenue\nBuffalo\, New York 14222\nNow Open
URL:https://thebuffalohive.com/event/buffalo-art-all-i-ever-wanted-was-a-place-a-centennial-celebration-of-robert-creeley/2026-08-24/
LOCATION:Buffalo AKG Art Museum\, Buffalo\, NY\, United States
CATEGORIES:Art,Literature
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/08/6._rg6_s1_sub4_1965_buffestarts_002_r_bd2026-tXONnq.jpg
ORGANIZER;CN="Buffalo AKG Art Museum":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T100000
DTEND;TZID=America/New_York:20260824T170000
DTSTAMP:20260819T014754Z
CREATED:20260819T014754Z
LAST-MODIFIED:20260819T014754Z
UID:10045390-1787565600-1787590800@thebuffalohive.com
SUMMARY:Buffalo Art: Natvar Bhavsar: 'Free Yourself'
DESCRIPTION:Image above: Natvar Bhavsar (American\, born India\, 1934). REETVA\, 1968. Painting on paper\, dry pigment\, acrylic medium on rag paper. 35 x 46 inches (89 x 117 cm). © 2026 Natvar Bhavsar / Artists Rights Society (ARS)\, New York. Image courtesy of the artist.  \n  \nOn view August 21\, 2026 through April 4\, 2027. Surveys fifty years of Natvar Bhavsar’s expressive color-field abstractions made from pure dry pigment\, presented simultaneously with the University at Buffalo Art Galleries. Debuts the museum’s two new acquisitions\, RITI-YAA (1969) and KE-RAA (1971). \n\n\n\n\n\nM&T Bank Gallery \n\n\n\n\n\n\n\n\n\nSeymour H. Knox Building\n“I have tried to convey how to free oneself\, using color as a force to reach towards the beauty and generosity of the material that allows you unlimited expression.”  \nNatvar Bhavsar (American\, born India\, 1934). KE-RAA\, 1971. Pure pigment on canvas. 87 x 71 inches (221 x 180 cm). Collection Buffalo AKG Art Museum. Gift of Natvar Bhavsar and Janet Bhavsar\, 2025. © 2026 Natvar Bhavsar / Artists Rights Society (ARS)\, New York. Photo: Thomas Müller \nNatvar Bhavsar: Free Yourself surveys fifty years of the artist’s expressive abstractions\, inviting viewers to meditate on the power of pure color. Simultaneously presented at the Buffalo AKG Art Museum and the University at Buffalo Art Galleries\, the exhibitions respectively feature works on paper and monumental paintings spanning each decade of his career. This exhibition also celebrates the debut of the AKG’s two acquisitions by the artist RITI-YAA (1969) and KE-RAA (1971). \nBhavsar’s unique physical process centers on tiny particles of pure\, dry pigment. He begins by soaking the entire canvas in a clear acrylic binder\, then sifts or brushes pigment through handmade tools and fine mesh screens\, building up to eighty sealed layers. Air currents\, breath\, and the rhythm of his body as he maneuvers around the surface help shape the final image—a carefully controlled dance that produces textured\, smoky surfaces with subtle shifts in color and tone. As Bhavsar describes: \n\n“When I enter my studio\, everything disappears. It’s like I’ve entered another world. I experience Nirvana. It’s an incredible gift in which I disappear\, the studio itself disappears\, New York disappears.”\n\n  \nNatvar Bhavsar (American\, born India\, 1934). VAROONA II\, 1988. Painting on paper\, dry pigment\, and acrylic medium on rag paper. 49 x 39 inches (125 x 99 cm). © 2026 Natvar Bhavsar / Artists Rights Society (ARS)\, New York. Image courtesy of the artist. \nExamined up close\, his dappled surfaces are palpable; from a distance\, the color fields float and become atmospheric. Some paintings burst with energy\, while others suggest a boundless continuum of color. Unlike other Abstract Expressionists\, who approached the sublime through solemnity\, Bhavsar’s path is ecstatic and celebratory and rooted in his Indian heritage. His work invokes Holi\, the Hindu Spring festival in which revelers douse one another in powdered colors to celebrate the divine love of Radha and Krishna. Later works introducing curlicues draw on rangoli—decorative floor patterns of colored powder made during Diwali\, the festival of light. \nBhavsar’s meditative practice results in an intensely personal experience that invites endless free association—whether you find yourself peering through a microscope\, wandering a Holi celebration\, or gazing from the Hubble telescope is left entirely to you. \n  \n  \n  \n\nNatvar Bhavsar: Free Yourself is organized by the Buffalo AKG Art Museum and the University at Buffalo Art Galleries. Its presentation in Buffalo is organized by Katie O’Hara\, Assistant Curator\, Buffalo AKG Art Museum\, and its presentation at the University at Buffalo Art Galleries is organized by Robert Scalise\, Director\, University at Buffalo Art Galleries.
URL:https://thebuffalohive.com/event/buffalo-art-natvar-bhavsar-free-yourself/2026-08-24/
LOCATION:Buffalo AKG Art Museum\, Buffalo\, NY\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/08/exh5081_natvarbhavsar.jpeg
ORGANIZER;CN="Buffalo AKG Art Museum":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T100000
DTEND;TZID=America/New_York:20260824T180000
DTSTAMP:20260819T015932Z
CREATED:20260819T015932Z
LAST-MODIFIED:20260819T015932Z
UID:10045617-1787565600-1787594400@thebuffalohive.com
SUMMARY:Buffalo Art: Natvar Bhavsar: 'Free Yourself'
DESCRIPTION:Image above: Natvar Bhavsar (American\, born India\, 1934). REETVA\, 1968. Painting on paper\, dry pigment\, acrylic medium on rag paper. 35 x 46 inches (89 x 117 cm). © 2026 Natvar Bhavsar / Artists Rights Society (ARS)\, New York. Image courtesy of the artist.  \n  \nOn view August 21\, 2026 through April 4\, 2027. Surveys fifty years of Natvar Bhavsar’s expressive color-field abstractions made from pure dry pigment\, presented simultaneously with the University at Buffalo Art Galleries. Debuts the museum’s two new acquisitions\, RITI-YAA (1969) and KE-RAA (1971). \n\n\n\n\n\nM&T Bank Gallery\n\n\n\n\n\n\n\n\nSeymour H. Knox Building\n“I have tried to convey how to free oneself\, using color as a force to reach towards the beauty and generosity of the material that allows you unlimited expression.”  \nNatvar Bhavsar (American\, born India\, 1934). KE-RAA\, 1971. Pure pigment on canvas. 87 x 71 inches (221 x 180 cm). Collection Buffalo AKG Art Museum. Gift of Natvar Bhavsar and Janet Bhavsar\, 2025. © 2026 Natvar Bhavsar / Artists Rights Society (ARS)\, New York. Photo: Thomas Müller \nNatvar Bhavsar: Free Yourself surveys fifty years of the artist’s expressive abstractions\, inviting viewers to meditate on the power of pure color. Simultaneously presented at the Buffalo AKG Art Museum and the University at Buffalo Art Galleries\, the exhibitions respectively feature works on paper and monumental paintings spanning each decade of his career. This exhibition also celebrates the debut of the AKG’s two acquisitions by the artist RITI-YAA (1969) and KE-RAA (1971). \nBhavsar’s unique physical process centers on tiny particles of pure\, dry pigment. He begins by soaking the entire canvas in a clear acrylic binder\, then sifts or brushes pigment through handmade tools and fine mesh screens\, building up to eighty sealed layers. Air currents\, breath\, and the rhythm of his body as he maneuvers around the surface help shape the final image—a carefully controlled dance that produces textured\, smoky surfaces with subtle shifts in color and tone. As Bhavsar describes: \n\n“When I enter my studio\, everything disappears. It’s like I’ve entered another world. I experience Nirvana. It’s an incredible gift in which I disappear\, the studio itself disappears\, New York disappears.”\n\n  \nNatvar Bhavsar (American\, born India\, 1934). VAROONA II\, 1988. Painting on paper\, dry pigment\, and acrylic medium on rag paper. 49 x 39 inches (125 x 99 cm). © 2026 Natvar Bhavsar / Artists Rights Society (ARS)\, New York. Image courtesy of the artist. \nExamined up close\, his dappled surfaces are palpable; from a distance\, the color fields float and become atmospheric. Some paintings burst with energy\, while others suggest a boundless continuum of color. Unlike other Abstract Expressionists\, who approached the sublime through solemnity\, Bhavsar’s path is ecstatic and celebratory and rooted in his Indian heritage. His work invokes Holi\, the Hindu Spring festival in which revelers douse one another in powdered colors to celebrate the divine love of Radha and Krishna. Later works introducing curlicues draw on rangoli—decorative floor patterns of colored powder made during Diwali\, the festival of light. \nBhavsar’s meditative practice results in an intensely personal experience that invites endless free association—whether you find yourself peering through a microscope\, wandering a Holi celebration\, or gazing from the Hubble telescope is left entirely to you. \n  \n  \n  \n\nNatvar Bhavsar: Free Yourself is organized by the Buffalo AKG Art Museum and the University at Buffalo Art Galleries. Its presentation in Buffalo is organized by Katie O’Hara\, Assistant Curator\, Buffalo AKG Art Museum\, and its presentation at the University at Buffalo Art Galleries is organized by Robert Scalise\, Director\, University at Buffalo Art Galleries.
URL:https://thebuffalohive.com/event/buffalo-art-natvar-bhavsar-free-yourself-3/2026-08-24/
LOCATION:Buffalo AKG Art Museum\, Buffalo\, NY\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/08/exh5081_natvarbhavsar.jpeg
ORGANIZER;CN="Buffalo AKG Art Museum":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T170000
DTEND;TZID=America/New_York:20260824T203000
DTSTAMP:20260716T205510Z
CREATED:20260714T185003Z
LAST-MODIFIED:20260716T205510Z
UID:10041213-1787590800-1787603400@thebuffalohive.com
SUMMARY:Buffalo Music: FREE Concert: Live Music by Mike & Mason at the Buffalo River Grove!
DESCRIPTION:🎸🎵FREE LIVE MUSIC MONDAY • COLD DRINKS • GREAT FOOD • NO COVER CHARGE! 🍺🍔 \nWhy spend a fortune on a night out when you can enjoy an evening of live music\, great food\, cold drinks\, cash bar\, and good company at our Free Music Events at Buffalo River Grove Picnic & Event Center? Tonight’s lively performance is by Mike & Mason. \nOur stage will feature an energetic night of live music under our huge covered open-air pavilion. Whether you’re looking for a date night\, a fun evening with friends\, or simply a reason to get out and enjoy a beautiful summer night\, we’ve got you covered. \n🗓️Monday\, August 24th\, 2026 \n📍Location: 2299 Clinton Street (behind the Kwik Fill) West Seneca\, NY 14227 \n🚪Doors Open at 4 PM \n🎶Music 5:00 PM – 8:30 PM \n🍔Affordable Food Available \n🍷Full Cash Bar \n☔ Rain or Shine 🌤️ \nBring your lawn-chair attitude (we’ve got the seating!)\, leave the stress at home\, and enjoy one of the best values for live entertainment in Western New York. Great music\, great people\, and a great atmosphere without breaking the bank! Bring your friends. See you at Buffalo River Grove Picnic & Event Center 2299 Clinton St\, West Seneca\, NY 14227 \nTag your friends and make plans now! We’ll see you at Buffalo River Grove! #BuffaloRiverGroveMusic #LiveMusicWNY #AffordableNightOutTheGrove \n🚫No Outside Food \, Drinks\, or Pets Allowed. \nAccessibility: The music\, food\, and indoor bathroom areas are accessible via a paved surface and a covered pavilion. The parking area is gravel. \nConsider hosting an event with us\, www.buffalorivergrove.com 🌳
URL:https://thebuffalohive.com/event/buffalo-music-free-concert-live-music-by-mike-mason-at-the-buffalo-river-grove/
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://thebuffalohive.com/wp-content/uploads/2026/07/Aug-24th-Mike-and-Mason-Buffalo-River-Grove-August-24-2026.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T180000
DTEND;TZID=America/New_York:20260824T210000
DTSTAMP:20260103T162759Z
CREATED:20250702T025019Z
LAST-MODIFIED:20260103T162759Z
UID:10029022-1787594400-1787605200@thebuffalohive.com
SUMMARY:Buffalo Music — Tacoma Performing Arts Center: Blue Monday
DESCRIPTION:Every Monday 6-9 Since 2021! \nNO COVER CHARGE. Dinner and Drinks available. \nCome down and join us for another fabulous night!!! A show by T-PAC Jack and the Underground\, followed by a set with a special guest and then …the PRO JAM!Please make sure Donna Rose knows if you want to join in. Thanks to the musical talent and the crowds energy\, every night is a adventure!! If you like the show\, tip the band!..be prepared to tip the band:) \nHere’s the list of guest performers: \nJuly 7- Donna Rose \nJuly 14 – Eric Weinholtz \nJuly 21- Tricia Jacobs \nJuly 28- Jeremy Keyes \nAugust 4- Donna Rose \nAugust 11 – Buffalo “ZEW” \nAugust 18 – JC Thompson \nAugust 25 – Jeremy Keyes \nSeptember 1 – Labor  Day \nSeptember 8 – Mark Winsick \nSeptember 15- TBD \nSeptember 22 – Jeremy Keyes \nSeptember 29 – Stu Weissman \nOctober 6 – Donna Rose \nOctober 13 – Bills Monday Night Game\, No Show \nOctober 20 – TBA \nOctober 27 – Jeremy Keyes \nNovember 3 – Donna Rose \nNovember 10 – TBA \nNovember 17 -TBA \nNovember 24 – Jeremy Keyes \nDecember 1 – Donna Rose \nDecember 8 – TBA \nDecember 15 – TBA \nDecember 22 – Jeremy Keyes \nDecember 29 – TBA \nJanuary 6 – Donna Rose
URL:https://thebuffalohive.com/event/tacoma-performing-arts-center-blue-monday/2026-08-24/
LOCATION:Tacoma Performing Arts Center\, 351 Tacoma Ave.\, Buffalo\, New York\, 14216\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2025/07/House-band-tpac.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T183000
DTEND;TZID=America/New_York:20260824T213000
DTSTAMP:20260103T012546Z
CREATED:20250308T004300Z
LAST-MODIFIED:20260103T012546Z
UID:10025743-1787596200-1787607000@thebuffalohive.com
SUMMARY:Buffalo Music: Jazz on Monday at Tappo Restaurant
DESCRIPTION:The ongoing Monday Jazz Series at Tappo continues into the winter\, with Kathy Carr  on first and third Mondays and Dozo My Lady ft. Carolyn Lansom on second and fourth Mondays.  \nThis is a recurring event that could be affected by holidays\, weather or other circumstances. 
URL:https://thebuffalohive.com/event/jazz-on-monday-at-tappo-restaurant-2/2026-08-24/
LOCATION:Tappo Restaurant\, 330 Ellicott Street\, Buffalo\, NY\, 14203\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/webp:https://thebuffalohive.com/wp-content/uploads/2024/10/carol-lancom.webp
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T190000
DTEND;TZID=America/New_York:20260824T190000
DTSTAMP:20260820T023304Z
CREATED:20260820T023303Z
LAST-MODIFIED:20260820T023304Z
UID:10045790-1787598000-1787598000@thebuffalohive.com
SUMMARY:Buffalo Music: A Thousand Horses: White Flag Down Tour
DESCRIPTION:Nashville Southern-rock band A Thousand Horses (“Smoke”) tour behind their new album White Flag Down. 16 and up.
URL:https://thebuffalohive.com/event/buffalo-music-a-thousand-horses-white-flag-down-tour/
LOCATION:Rec Room\, 79 W Chippewa St\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Music
ATTACH;FMTTYPE=image/png:https://thebuffalohive.com/wp-content/uploads/2026/08/83_Edp-lF7KPp.png
ORGANIZER;CN="After Dark Presents":MAILTO:noreply@facebookmail.com
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260824T200000
DTEND;TZID=America/New_York:20260824T235500
DTSTAMP:20251229T171831Z
CREATED:20241231T195421Z
LAST-MODIFIED:20251229T171831Z
UID:10020839-1787601600-1787615700@thebuffalohive.com
SUMMARY:Buffalo Music — Nietzsche's: Songwriter Showcase and Open Mic
DESCRIPTION:At Nietzsche’s\, Mondays are the best! We’ve got the Songwriter Showcase from 8-9pm and Buffalo’s Longest-Running Open Mic Nite from 9pm-Late! \nThe Songwriter Showcase lets some of Buffalo’s (and beyond!) most talent songwriters show off their work\, every Monday from 8-9pm. \nThen\, we have an Open Mic Nite\, hosted by Peter Latona\, from 9pm-Late! Come show us your talents\, from music and poetry to comedy and beyond! \nSongwriter Showcase @ 8pm\nOpen Mic @ 9pm\nNo Cover \nEvery Monday Until The End Of Time! \nNote: This is a recurring event that may be affected by holidays\, weather and other factors.
URL:https://thebuffalohive.com/event/nietzsches-songwriter-showcase-and-open-mic-4/2026-08-24/
LOCATION:Nietzsche’s\, 248 Allen St\, Buffalo\, 14201\, United States
CATEGORIES:Music,Open Mic
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2024/11/nietzches-open-mic.jpg
END:VEVENT
END:VCALENDAR