BEGIN:VCALENDAR
VERSION:2.0
PRODID:-// - ECPv6.16.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://thebuffalohive.com
X-WR-CALDESC:Events for 
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20250309T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20251102T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20260308T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20261101T060000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:20270314T070000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:20271107T060000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260616T110000
DTEND;TZID=America/New_York:20260616T180000
DTSTAMP:20260615T104331
CREATED:20260514T015842Z
LAST-MODIFIED:20260514T015842Z
UID:10040108-1781607600-1781632800@thebuffalohive.com
SUMMARY:Buffalo Art: Frank Chang\, 'The Mesh'
DESCRIPTION:From the artist: In the studio\, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise\, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news\, bureaucratic documents\, and mass media imagery\, looking for linkages that are unexpectedly resonant. I am searching for things under the surface\, inexplicable connections that are strangely well suited to expressing the feeling of the present\, with all its contradictions\, anxieties\, and possibilities. \nThis exhibition combines new and recent climate-related work. The title is inspired by philosopher Timothy Morton’s metaphor of the mesh. Morton uses the mesh to refer to the ecological interconnectedness of all things\, both living and non-living. The mesh\, according to Morton\, allows us to imagine things normally thought to be contradictory. It is both foreground and background\, hard and delicate. It is both too large and infinitesimally small. The mesh is the perfect metaphor for thinking about climate because “[e]ach point of the mesh is both the centre and edge of a system of points\, so there is no absolute centre or edge.”[1] The mesh also perfectly encapsulates my working process\, in which each fragment leads to another; I see what’s in front of me as both the beginning and end of the process. \nHyperbatteries is a series of sculptures that reconfigure the clean and rational aesthetics of various “green” battery technologies as dense assemblages of entangled materials\, histories\, and ideas. I began with the definition of batteries as connected energies\, then followed threads ranging from the German Romanticism of early battery pioneers to Qing Dynasty symbolism and spirituality. Of course\, replacing fossil fuels with renewable energy is crucial in helping to mitigate climate change. But batteries are too often depicted as the “solution” to climate change\, with little regard for how they are produced or where their minerals come from. Indeed\, as political scientist Thea Riofrancos points out\, “…the promise of zero emissions sits alongside the reality of fossil fuel extraction and combustion\, renewable energy deployment\, and mining to outfit carbon-free capitalism.”[2] \nOther works in the exhibition employ a variety of archaeologically inspired motifs and techniques\, especially paper squeeze casting. Paper squeeze\, or paper molding\, was an archaeological technique developed by Alfred Maudslay in the late 19th century in which layers of wet paper were pressed onto Mayan monuments to create replicas that could later be cast in plaster. Maudslay used this technique to reach remote sites in Guatemala that would have been inaccessible to teams carrying tons of plaster-casting supplies. Incidentally\, Maudslay began his archaeological work at the same time widespread global temperature recordings began. My paper sculptures are copies of copies\, created by first making a “sacrificial sculpture\,” which is then paper-molded. When completed\, the original is thrown out\, leaving the paper cast as the work. By displaying the cast as the artwork\, I want to highlight its indeterminacy. The sacrificial sculpture can be thought of as both absent and present\, like an impression\, thought\, or memory. The surface of these sculptures is fragile yet resilient and is skin-like\, which reminds me of the solidity and impermanence of ourselves\, our past\, and our imagined futures. \n\nFRANK CHANG (b. 1979\, New York) is a multi-disciplinary artist who employs and re-frames ordinary or familiar visual forms in order to examine the entangled and complex interrelationships between climate\, social\, and cultural issues. Chang’s work spans a variety of mediums\, including works on paper\, sculpture\, installation\, and performance\, but each body of work is based upon a consistent methodology in which recognizable forms — from the vernacular to the historical — act as springboards for deeper investigations into these issues. \nHis work has been exhibited at Gallery Ondo (Seoul\, South Korea)\, Gallery G (Hiroshima\, Japan)\, Wells College (Aurora\, NY)\, Ithaca College\, Ortega y Gasset Projects (Brooklyn\, NY)\, Bushel (Delhi\, NY)\, Dartmouth College\, the Torrance Art Museum\, Museum of Jurassic Technology\, LA Design Center\, Woodbury University\, and Virginia Commonwealth University\, among others. He has also installed site-specific works on Governors Island\, High Desert Test Sites (Wonder Valley\, CA) and alongside a stream in South Windham\, VT.He was formerly co-director of Monte Vista Projects in Los Angeles\, and he was a contributor to the book Dispatches and Directions: On Artist-Run Organizations in Los Angeles and to the journal MATERIAL. He received his BA from Dartmouth College and his MFA from the California Institute of the Arts. He is a Lecturer in the Department of Art & Design at Binghamton University. \n[1] Timothy Morton\, The Ecological Thought\, (Harvard University Press\, 2010)\, 29.[2] Thea Riofrancos\, Extraction: The Frontiers of Green Capitalism\, (W. W. Norton & Company\, 2025)\, 205. \n 
URL:https://thebuffalohive.com/event/buffalo-art-frank-chang-the-mesh/2026-06-16/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/05/frankchang_collector_02-SP2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260617T110000
DTEND;TZID=America/New_York:20260617T180000
DTSTAMP:20260615T104331
CREATED:20260514T015842Z
LAST-MODIFIED:20260514T015842Z
UID:10040109-1781694000-1781719200@thebuffalohive.com
SUMMARY:Buffalo Art: Frank Chang\, 'The Mesh'
DESCRIPTION:From the artist: In the studio\, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise\, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news\, bureaucratic documents\, and mass media imagery\, looking for linkages that are unexpectedly resonant. I am searching for things under the surface\, inexplicable connections that are strangely well suited to expressing the feeling of the present\, with all its contradictions\, anxieties\, and possibilities. \nThis exhibition combines new and recent climate-related work. The title is inspired by philosopher Timothy Morton’s metaphor of the mesh. Morton uses the mesh to refer to the ecological interconnectedness of all things\, both living and non-living. The mesh\, according to Morton\, allows us to imagine things normally thought to be contradictory. It is both foreground and background\, hard and delicate. It is both too large and infinitesimally small. The mesh is the perfect metaphor for thinking about climate because “[e]ach point of the mesh is both the centre and edge of a system of points\, so there is no absolute centre or edge.”[1] The mesh also perfectly encapsulates my working process\, in which each fragment leads to another; I see what’s in front of me as both the beginning and end of the process. \nHyperbatteries is a series of sculptures that reconfigure the clean and rational aesthetics of various “green” battery technologies as dense assemblages of entangled materials\, histories\, and ideas. I began with the definition of batteries as connected energies\, then followed threads ranging from the German Romanticism of early battery pioneers to Qing Dynasty symbolism and spirituality. Of course\, replacing fossil fuels with renewable energy is crucial in helping to mitigate climate change. But batteries are too often depicted as the “solution” to climate change\, with little regard for how they are produced or where their minerals come from. Indeed\, as political scientist Thea Riofrancos points out\, “…the promise of zero emissions sits alongside the reality of fossil fuel extraction and combustion\, renewable energy deployment\, and mining to outfit carbon-free capitalism.”[2] \nOther works in the exhibition employ a variety of archaeologically inspired motifs and techniques\, especially paper squeeze casting. Paper squeeze\, or paper molding\, was an archaeological technique developed by Alfred Maudslay in the late 19th century in which layers of wet paper were pressed onto Mayan monuments to create replicas that could later be cast in plaster. Maudslay used this technique to reach remote sites in Guatemala that would have been inaccessible to teams carrying tons of plaster-casting supplies. Incidentally\, Maudslay began his archaeological work at the same time widespread global temperature recordings began. My paper sculptures are copies of copies\, created by first making a “sacrificial sculpture\,” which is then paper-molded. When completed\, the original is thrown out\, leaving the paper cast as the work. By displaying the cast as the artwork\, I want to highlight its indeterminacy. The sacrificial sculpture can be thought of as both absent and present\, like an impression\, thought\, or memory. The surface of these sculptures is fragile yet resilient and is skin-like\, which reminds me of the solidity and impermanence of ourselves\, our past\, and our imagined futures. \n\nFRANK CHANG (b. 1979\, New York) is a multi-disciplinary artist who employs and re-frames ordinary or familiar visual forms in order to examine the entangled and complex interrelationships between climate\, social\, and cultural issues. Chang’s work spans a variety of mediums\, including works on paper\, sculpture\, installation\, and performance\, but each body of work is based upon a consistent methodology in which recognizable forms — from the vernacular to the historical — act as springboards for deeper investigations into these issues. \nHis work has been exhibited at Gallery Ondo (Seoul\, South Korea)\, Gallery G (Hiroshima\, Japan)\, Wells College (Aurora\, NY)\, Ithaca College\, Ortega y Gasset Projects (Brooklyn\, NY)\, Bushel (Delhi\, NY)\, Dartmouth College\, the Torrance Art Museum\, Museum of Jurassic Technology\, LA Design Center\, Woodbury University\, and Virginia Commonwealth University\, among others. He has also installed site-specific works on Governors Island\, High Desert Test Sites (Wonder Valley\, CA) and alongside a stream in South Windham\, VT.He was formerly co-director of Monte Vista Projects in Los Angeles\, and he was a contributor to the book Dispatches and Directions: On Artist-Run Organizations in Los Angeles and to the journal MATERIAL. He received his BA from Dartmouth College and his MFA from the California Institute of the Arts. He is a Lecturer in the Department of Art & Design at Binghamton University. \n[1] Timothy Morton\, The Ecological Thought\, (Harvard University Press\, 2010)\, 29.[2] Thea Riofrancos\, Extraction: The Frontiers of Green Capitalism\, (W. W. Norton & Company\, 2025)\, 205. \n 
URL:https://thebuffalohive.com/event/buffalo-art-frank-chang-the-mesh/2026-06-17/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/05/frankchang_collector_02-SP2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260618T110000
DTEND;TZID=America/New_York:20260618T180000
DTSTAMP:20260615T104331
CREATED:20260514T015842Z
LAST-MODIFIED:20260514T015842Z
UID:10040110-1781780400-1781805600@thebuffalohive.com
SUMMARY:Buffalo Art: Frank Chang\, 'The Mesh'
DESCRIPTION:From the artist: In the studio\, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise\, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news\, bureaucratic documents\, and mass media imagery\, looking for linkages that are unexpectedly resonant. I am searching for things under the surface\, inexplicable connections that are strangely well suited to expressing the feeling of the present\, with all its contradictions\, anxieties\, and possibilities. \nThis exhibition combines new and recent climate-related work. The title is inspired by philosopher Timothy Morton’s metaphor of the mesh. Morton uses the mesh to refer to the ecological interconnectedness of all things\, both living and non-living. The mesh\, according to Morton\, allows us to imagine things normally thought to be contradictory. It is both foreground and background\, hard and delicate. It is both too large and infinitesimally small. The mesh is the perfect metaphor for thinking about climate because “[e]ach point of the mesh is both the centre and edge of a system of points\, so there is no absolute centre or edge.”[1] The mesh also perfectly encapsulates my working process\, in which each fragment leads to another; I see what’s in front of me as both the beginning and end of the process. \nHyperbatteries is a series of sculptures that reconfigure the clean and rational aesthetics of various “green” battery technologies as dense assemblages of entangled materials\, histories\, and ideas. I began with the definition of batteries as connected energies\, then followed threads ranging from the German Romanticism of early battery pioneers to Qing Dynasty symbolism and spirituality. Of course\, replacing fossil fuels with renewable energy is crucial in helping to mitigate climate change. But batteries are too often depicted as the “solution” to climate change\, with little regard for how they are produced or where their minerals come from. Indeed\, as political scientist Thea Riofrancos points out\, “…the promise of zero emissions sits alongside the reality of fossil fuel extraction and combustion\, renewable energy deployment\, and mining to outfit carbon-free capitalism.”[2] \nOther works in the exhibition employ a variety of archaeologically inspired motifs and techniques\, especially paper squeeze casting. Paper squeeze\, or paper molding\, was an archaeological technique developed by Alfred Maudslay in the late 19th century in which layers of wet paper were pressed onto Mayan monuments to create replicas that could later be cast in plaster. Maudslay used this technique to reach remote sites in Guatemala that would have been inaccessible to teams carrying tons of plaster-casting supplies. Incidentally\, Maudslay began his archaeological work at the same time widespread global temperature recordings began. My paper sculptures are copies of copies\, created by first making a “sacrificial sculpture\,” which is then paper-molded. When completed\, the original is thrown out\, leaving the paper cast as the work. By displaying the cast as the artwork\, I want to highlight its indeterminacy. The sacrificial sculpture can be thought of as both absent and present\, like an impression\, thought\, or memory. The surface of these sculptures is fragile yet resilient and is skin-like\, which reminds me of the solidity and impermanence of ourselves\, our past\, and our imagined futures. \n\nFRANK CHANG (b. 1979\, New York) is a multi-disciplinary artist who employs and re-frames ordinary or familiar visual forms in order to examine the entangled and complex interrelationships between climate\, social\, and cultural issues. Chang’s work spans a variety of mediums\, including works on paper\, sculpture\, installation\, and performance\, but each body of work is based upon a consistent methodology in which recognizable forms — from the vernacular to the historical — act as springboards for deeper investigations into these issues. \nHis work has been exhibited at Gallery Ondo (Seoul\, South Korea)\, Gallery G (Hiroshima\, Japan)\, Wells College (Aurora\, NY)\, Ithaca College\, Ortega y Gasset Projects (Brooklyn\, NY)\, Bushel (Delhi\, NY)\, Dartmouth College\, the Torrance Art Museum\, Museum of Jurassic Technology\, LA Design Center\, Woodbury University\, and Virginia Commonwealth University\, among others. He has also installed site-specific works on Governors Island\, High Desert Test Sites (Wonder Valley\, CA) and alongside a stream in South Windham\, VT.He was formerly co-director of Monte Vista Projects in Los Angeles\, and he was a contributor to the book Dispatches and Directions: On Artist-Run Organizations in Los Angeles and to the journal MATERIAL. He received his BA from Dartmouth College and his MFA from the California Institute of the Arts. He is a Lecturer in the Department of Art & Design at Binghamton University. \n[1] Timothy Morton\, The Ecological Thought\, (Harvard University Press\, 2010)\, 29.[2] Thea Riofrancos\, Extraction: The Frontiers of Green Capitalism\, (W. W. Norton & Company\, 2025)\, 205. \n 
URL:https://thebuffalohive.com/event/buffalo-art-frank-chang-the-mesh/2026-06-18/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/05/frankchang_collector_02-SP2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260619T110000
DTEND;TZID=America/New_York:20260619T180000
DTSTAMP:20260615T104331
CREATED:20260514T015842Z
LAST-MODIFIED:20260514T015842Z
UID:10040111-1781866800-1781892000@thebuffalohive.com
SUMMARY:Buffalo Art: Frank Chang\, 'The Mesh'
DESCRIPTION:From the artist: In the studio\, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise\, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news\, bureaucratic documents\, and mass media imagery\, looking for linkages that are unexpectedly resonant. I am searching for things under the surface\, inexplicable connections that are strangely well suited to expressing the feeling of the present\, with all its contradictions\, anxieties\, and possibilities. \nThis exhibition combines new and recent climate-related work. The title is inspired by philosopher Timothy Morton’s metaphor of the mesh. Morton uses the mesh to refer to the ecological interconnectedness of all things\, both living and non-living. The mesh\, according to Morton\, allows us to imagine things normally thought to be contradictory. It is both foreground and background\, hard and delicate. It is both too large and infinitesimally small. The mesh is the perfect metaphor for thinking about climate because “[e]ach point of the mesh is both the centre and edge of a system of points\, so there is no absolute centre or edge.”[1] The mesh also perfectly encapsulates my working process\, in which each fragment leads to another; I see what’s in front of me as both the beginning and end of the process. \nHyperbatteries is a series of sculptures that reconfigure the clean and rational aesthetics of various “green” battery technologies as dense assemblages of entangled materials\, histories\, and ideas. I began with the definition of batteries as connected energies\, then followed threads ranging from the German Romanticism of early battery pioneers to Qing Dynasty symbolism and spirituality. Of course\, replacing fossil fuels with renewable energy is crucial in helping to mitigate climate change. But batteries are too often depicted as the “solution” to climate change\, with little regard for how they are produced or where their minerals come from. Indeed\, as political scientist Thea Riofrancos points out\, “…the promise of zero emissions sits alongside the reality of fossil fuel extraction and combustion\, renewable energy deployment\, and mining to outfit carbon-free capitalism.”[2] \nOther works in the exhibition employ a variety of archaeologically inspired motifs and techniques\, especially paper squeeze casting. Paper squeeze\, or paper molding\, was an archaeological technique developed by Alfred Maudslay in the late 19th century in which layers of wet paper were pressed onto Mayan monuments to create replicas that could later be cast in plaster. Maudslay used this technique to reach remote sites in Guatemala that would have been inaccessible to teams carrying tons of plaster-casting supplies. Incidentally\, Maudslay began his archaeological work at the same time widespread global temperature recordings began. My paper sculptures are copies of copies\, created by first making a “sacrificial sculpture\,” which is then paper-molded. When completed\, the original is thrown out\, leaving the paper cast as the work. By displaying the cast as the artwork\, I want to highlight its indeterminacy. The sacrificial sculpture can be thought of as both absent and present\, like an impression\, thought\, or memory. The surface of these sculptures is fragile yet resilient and is skin-like\, which reminds me of the solidity and impermanence of ourselves\, our past\, and our imagined futures. \n\nFRANK CHANG (b. 1979\, New York) is a multi-disciplinary artist who employs and re-frames ordinary or familiar visual forms in order to examine the entangled and complex interrelationships between climate\, social\, and cultural issues. Chang’s work spans a variety of mediums\, including works on paper\, sculpture\, installation\, and performance\, but each body of work is based upon a consistent methodology in which recognizable forms — from the vernacular to the historical — act as springboards for deeper investigations into these issues. \nHis work has been exhibited at Gallery Ondo (Seoul\, South Korea)\, Gallery G (Hiroshima\, Japan)\, Wells College (Aurora\, NY)\, Ithaca College\, Ortega y Gasset Projects (Brooklyn\, NY)\, Bushel (Delhi\, NY)\, Dartmouth College\, the Torrance Art Museum\, Museum of Jurassic Technology\, LA Design Center\, Woodbury University\, and Virginia Commonwealth University\, among others. He has also installed site-specific works on Governors Island\, High Desert Test Sites (Wonder Valley\, CA) and alongside a stream in South Windham\, VT.He was formerly co-director of Monte Vista Projects in Los Angeles\, and he was a contributor to the book Dispatches and Directions: On Artist-Run Organizations in Los Angeles and to the journal MATERIAL. He received his BA from Dartmouth College and his MFA from the California Institute of the Arts. He is a Lecturer in the Department of Art & Design at Binghamton University. \n[1] Timothy Morton\, The Ecological Thought\, (Harvard University Press\, 2010)\, 29.[2] Thea Riofrancos\, Extraction: The Frontiers of Green Capitalism\, (W. W. Norton & Company\, 2025)\, 205. \n 
URL:https://thebuffalohive.com/event/buffalo-art-frank-chang-the-mesh/2026-06-19/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/05/frankchang_collector_02-SP2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260623T190000
DTEND;TZID=America/New_York:20260623T210000
DTSTAMP:20260615T104331
CREATED:20260605T200059Z
LAST-MODIFIED:20260605T200059Z
UID:10040680-1782241200-1782248400@thebuffalohive.com
SUMMARY:Buffalo Film and Literature: Gerard Malanga Film and Poetry Program at Hallwalls
DESCRIPTION:Gerard Malanga will start off with the showing of his film “In Search of the Miraculous” (29 mins\, 1967). He will then read selected poems from his latest book\, Odie Is Being Called Back & Other Poems (Bottle of Smoke Press\, 2024). A Q&A session with the audience and a book signing will follow. \nGerard Malanga’s creative output has spanned six decades. A life-long poet\, prolific photographer\, filmmaker\, archivist and Andy Warhol’s assistant for seven years in the 1960s. Gerard is active with writing poetry\, public speaking engagements\, and creating special photography projects. \nMalanga has been a published poet since his high school years and has authored or has been featured in 26 books of poetry. \nMalanga’s portrait photography work has produced some of pop culture’s most memorable images. Rock stars\, writers\, film stars\, artists all were captured with Gerard’s lens. He was friends with many of his subjects\, which may be the reason for the comfortable nature of his portraits \nMalanga was Andy Warhol’s assistant and collaborator at The Factory for seven years in the 1960s. In addition to working on some of Warhol’s most prolific paintings\, Malanga filmed over 300 “Screen Tests” inside the fabled Factory art studio. He was a stage performer and creative partner for the legendary art-rock band\, The Velvet Underground. In 1969\, Warhol and Malanga together created Interview Magazine.
URL:https://thebuffalohive.com/event/buffalo-film-and-literature-gerard-malanga-film-and-poetry-program-at-hallwalls/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Arts + Culture,Film/Cinema,Literature
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/Gerard-Malanga-Film-Programme-Poster-SU2026.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260627T100000
DTEND;TZID=America/New_York:20260627T160000
DTSTAMP:20260615T104331
CREATED:20260605T193921Z
LAST-MODIFIED:20260605T194146Z
UID:10040688-1782554400-1782576000@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition — Art Dropoff
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. All up-to-date Hallwalls members are invited to participate in this annual\, non-juried exhibition by submitting ONE artwork for display. You can become a member or renew your membership online at http://www.hallwalls.org OR in person when you drop off your artwork. Membership and artwork forms can be found on this page as printable pdfs. \nMembers Exhibition. \nBecome a member or renew your membership here! \nYou may join/renew membership when you drop off your work OR you may download these PDFs in advance to speed up drop-off. \n\nmembership form\nexhibition artwork form\n\nARTWORK DROP-OFF DATES: \n\nSaturday\, June 27 — 10 am to 4 pm\nTuesday\, June 30 — 11 am to 5 pm\nThursday\, July 2 — 11 am to 5 pm\nFriday\, July 3 — 11 am to 5 pm\nTuesday\, July 7 — 10 am to 4 pm\n\nIn consideration of your fellow Hallwalls members who will also be submitting artwork\, we ask you to be considerate and adhere to the 36×36 inch maximum size per work. Larger works may be possible but please contact Hallwalls first. \nVideo work submitted on a thumb drive is also acceptable \nSculpture is also welcome. As with other works\, if uncertain about scale\, please contact Hallwalls first. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition-art-dropoff/2026-06-27/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260630T110000
DTEND;TZID=America/New_York:20260630T170000
DTSTAMP:20260615T104331
CREATED:20260605T193921Z
LAST-MODIFIED:20260605T194146Z
UID:10040689-1782817200-1782838800@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition — Art Dropoff
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. All up-to-date Hallwalls members are invited to participate in this annual\, non-juried exhibition by submitting ONE artwork for display. You can become a member or renew your membership online at http://www.hallwalls.org OR in person when you drop off your artwork. Membership and artwork forms can be found on this page as printable pdfs. \nMembers Exhibition. \nBecome a member or renew your membership here! \nYou may join/renew membership when you drop off your work OR you may download these PDFs in advance to speed up drop-off. \n\nmembership form\nexhibition artwork form\n\nARTWORK DROP-OFF DATES: \n\nSaturday\, June 27 — 10 am to 4 pm\nTuesday\, June 30 — 11 am to 5 pm\nThursday\, July 2 — 11 am to 5 pm\nFriday\, July 3 — 11 am to 5 pm\nTuesday\, July 7 — 10 am to 4 pm\n\nIn consideration of your fellow Hallwalls members who will also be submitting artwork\, we ask you to be considerate and adhere to the 36×36 inch maximum size per work. Larger works may be possible but please contact Hallwalls first. \nVideo work submitted on a thumb drive is also acceptable \nSculpture is also welcome. As with other works\, if uncertain about scale\, please contact Hallwalls first. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition-art-dropoff/2026-06-30/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260702T110000
DTEND;TZID=America/New_York:20260702T170000
DTSTAMP:20260615T104331
CREATED:20260605T193921Z
LAST-MODIFIED:20260605T194146Z
UID:10040690-1782990000-1783011600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition — Art Dropoff
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. All up-to-date Hallwalls members are invited to participate in this annual\, non-juried exhibition by submitting ONE artwork for display. You can become a member or renew your membership online at http://www.hallwalls.org OR in person when you drop off your artwork. Membership and artwork forms can be found on this page as printable pdfs. \nMembers Exhibition. \nBecome a member or renew your membership here! \nYou may join/renew membership when you drop off your work OR you may download these PDFs in advance to speed up drop-off. \n\nmembership form\nexhibition artwork form\n\nARTWORK DROP-OFF DATES: \n\nSaturday\, June 27 — 10 am to 4 pm\nTuesday\, June 30 — 11 am to 5 pm\nThursday\, July 2 — 11 am to 5 pm\nFriday\, July 3 — 11 am to 5 pm\nTuesday\, July 7 — 10 am to 4 pm\n\nIn consideration of your fellow Hallwalls members who will also be submitting artwork\, we ask you to be considerate and adhere to the 36×36 inch maximum size per work. Larger works may be possible but please contact Hallwalls first. \nVideo work submitted on a thumb drive is also acceptable \nSculpture is also welcome. As with other works\, if uncertain about scale\, please contact Hallwalls first. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition-art-dropoff/2026-07-02/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260703T110000
DTEND;TZID=America/New_York:20260703T170000
DTSTAMP:20260615T104331
CREATED:20260605T193921Z
LAST-MODIFIED:20260605T194146Z
UID:10040691-1783076400-1783098000@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition — Art Dropoff
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. All up-to-date Hallwalls members are invited to participate in this annual\, non-juried exhibition by submitting ONE artwork for display. You can become a member or renew your membership online at http://www.hallwalls.org OR in person when you drop off your artwork. Membership and artwork forms can be found on this page as printable pdfs. \nMembers Exhibition. \nBecome a member or renew your membership here! \nYou may join/renew membership when you drop off your work OR you may download these PDFs in advance to speed up drop-off. \n\nmembership form\nexhibition artwork form\n\nARTWORK DROP-OFF DATES: \n\nSaturday\, June 27 — 10 am to 4 pm\nTuesday\, June 30 — 11 am to 5 pm\nThursday\, July 2 — 11 am to 5 pm\nFriday\, July 3 — 11 am to 5 pm\nTuesday\, July 7 — 10 am to 4 pm\n\nIn consideration of your fellow Hallwalls members who will also be submitting artwork\, we ask you to be considerate and adhere to the 36×36 inch maximum size per work. Larger works may be possible but please contact Hallwalls first. \nVideo work submitted on a thumb drive is also acceptable \nSculpture is also welcome. As with other works\, if uncertain about scale\, please contact Hallwalls first. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition-art-dropoff/2026-07-03/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260707T100000
DTEND;TZID=America/New_York:20260707T160000
DTSTAMP:20260615T104331
CREATED:20260605T193921Z
LAST-MODIFIED:20260605T194146Z
UID:10040692-1783418400-1783440000@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition — Art Dropoff
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. All up-to-date Hallwalls members are invited to participate in this annual\, non-juried exhibition by submitting ONE artwork for display. You can become a member or renew your membership online at http://www.hallwalls.org OR in person when you drop off your artwork. Membership and artwork forms can be found on this page as printable pdfs. \nMembers Exhibition. \nBecome a member or renew your membership here! \nYou may join/renew membership when you drop off your work OR you may download these PDFs in advance to speed up drop-off. \n\nmembership form\nexhibition artwork form\n\nARTWORK DROP-OFF DATES: \n\nSaturday\, June 27 — 10 am to 4 pm\nTuesday\, June 30 — 11 am to 5 pm\nThursday\, July 2 — 11 am to 5 pm\nFriday\, July 3 — 11 am to 5 pm\nTuesday\, July 7 — 10 am to 4 pm\n\nIn consideration of your fellow Hallwalls members who will also be submitting artwork\, we ask you to be considerate and adhere to the 36×36 inch maximum size per work. Larger works may be possible but please contact Hallwalls first. \nVideo work submitted on a thumb drive is also acceptable \nSculpture is also welcome. As with other works\, if uncertain about scale\, please contact Hallwalls first. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition-art-dropoff/2026-07-07/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260717T180000
DTEND;TZID=America/New_York:20260717T220000
DTSTAMP:20260615T104331
CREATED:20260605T194418Z
LAST-MODIFIED:20260605T194418Z
UID:10040693-1784311200-1784325600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition - Opening
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition-opening/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260718T110000
DTEND;TZID=America/New_York:20260718T140000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040699-1784372400-1784383200@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-18/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260721T110000
DTEND;TZID=America/New_York:20260721T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040700-1784631600-1784656800@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-21/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260722T110000
DTEND;TZID=America/New_York:20260722T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040701-1784718000-1784743200@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-22/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260722T190000
DTEND;TZID=America/New_York:20260722T210000
DTSTAMP:20260615T104331
CREATED:20260605T200309Z
LAST-MODIFIED:20260605T200309Z
UID:10040681-1784746800-1784754000@thebuffalohive.com
SUMMARY:Buffalo Arts: Artist Talk — Bridging Acts: A Dialogue in Motion and Media
DESCRIPTION:This talk will feature both artists discussing their individual practices and the upcoming one-day Bridging Acts performance — including process\, preparation\, challenges\, and insights. \nRelated Events:\nPerformance Venue: UB Center for the Arts – Black Box Theatre\nSaturday\, July 25\, 6:30–7:45 PM \nArtist Talk #2 – AKG\nThursday\, July 23 | 1:00–2:30 PM\, Buffalo AKG Art Museum – Stanford and Judith Lipsey Auditorium \nFeatured artists: Alexandra Light (choreographer/dancer) and Clayton Colin (video artist/editor) \nArtists Bios\n \nAlexandra Light is a choreographer and dancer who integrates a ballet background into contemporary work that questions and redefines tradition. After over a decade as a Principal Dancer with Texas Ballet Theater\, she is now focused exclusively on her choreographic practice. Her work has been commissioned by and created for Texas Ballet Theater\, the Steps on Broadway Conservatory\, Martha Graham Dance Company through a Texas Ballet Theater mainstage commission\, Terminus Modern Ballet Theatre\, and more. Her choreography has been presented at the Modern Art Museum of Fort Worth\, the Battery Dance Festival\, and the Ailey Citigroup Theater\, and developed through residencies including Jacob’s Pillow and the Frank Lloyd Wright Martin House. Her work centers on diasporic history\, environmental memory\, and layered identity\, drawing from an academic background in psychology and a commitment to social practice. \n \nClayton Colin is a video editor/animator with extensive post-production experience (Premiere\, After Effects\, Blender)\, supporting the core premise of the project: rapid transformation of live footage into a mediated “echo.” \n  \nAbout the Director\n \nLéwuga Tata Benson is an interdisciplinary media artist\, filmmaker\, and director whose work explores the intersections of memory\, environmental trauma\, cultural identity\, and the mediated body. Rooted in his Ogoni heritage in the Niger Delta of Nigeria\, Benson’s practice examines how landscapes\, histories\, and personal narratives are transformed — and sometimes distorted — through the technologies we use to witness them. Working across moving-image installation\, sound\, performance\, and sculptural media\, he creates immersive environments that invite viewers to inhabit the emotional and political tensions embedded in overlooked or vulnerable communities. \nBenson is the director of Bridging Acts: A Dialogue Between Motion and Media\, a NYSCA-funded interdisciplinary performance project that brings together contemporary dance and live video to explore embodiment\, surveillance\, and memory through collaborative practice. \nHe holds an MFA in Media Arts Production from the University at Buffalo\, where he developed a hybrid approach grounded in experimental filmmaking\, immersive installation\, and cross-disciplinary collaboration. His work has been exhibited at Buffalo Arts Studio\, CEPA Gallery\, the University at Buffalo Art Department Gallery\, and the New York State Summer School for the Arts (NYSSSA)\, among others.
URL:https://thebuffalohive.com/event/buffalo-arts-artist-talk-bridging-acts-a-dialogue-in-motion-and-media/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Arts + Culture
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260723T110000
DTEND;TZID=America/New_York:20260723T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040702-1784804400-1784829600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-23/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260724T110000
DTEND;TZID=America/New_York:20260724T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040703-1784890800-1784916000@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-24/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260725T110000
DTEND;TZID=America/New_York:20260725T140000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040704-1784977200-1784988000@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-25/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260728T110000
DTEND;TZID=America/New_York:20260728T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040705-1785236400-1785261600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-28/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260729T110000
DTEND;TZID=America/New_York:20260729T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040706-1785322800-1785348000@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-29/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260730T110000
DTEND;TZID=America/New_York:20260730T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040707-1785409200-1785434400@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-30/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260731T110000
DTEND;TZID=America/New_York:20260731T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040708-1785495600-1785520800@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-07-31/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260801T110000
DTEND;TZID=America/New_York:20260801T140000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040709-1785582000-1785592800@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-01/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260804T110000
DTEND;TZID=America/New_York:20260804T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040710-1785841200-1785866400@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-04/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260805T110000
DTEND;TZID=America/New_York:20260805T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040711-1785927600-1785952800@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-05/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260806T110000
DTEND;TZID=America/New_York:20260806T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040712-1786014000-1786039200@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-06/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260807T110000
DTEND;TZID=America/New_York:20260807T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040713-1786100400-1786125600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-07/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260808T110000
DTEND;TZID=America/New_York:20260808T140000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040714-1786186800-1786197600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-08/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260811T110000
DTEND;TZID=America/New_York:20260811T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040715-1786446000-1786471200@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-11/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=America/New_York:20260812T110000
DTEND;TZID=America/New_York:20260812T180000
DTSTAMP:20260615T104331
CREATED:20260605T194909Z
LAST-MODIFIED:20260605T194909Z
UID:10040716-1786532400-1786557600@thebuffalohive.com
SUMMARY:Buffalo Art: Hallwalls 52nd Annual Members Exhibition
DESCRIPTION:For the 52nd year in a row\, Hallwalls presents an exhibition of work by our participating Members. \nAs we have done the past five years\, Hallwalls will be awarding two cash prizes for participating artists\, made possible with funds given and raised by family and frieds of Bruce Adams. The Bruce Adams Extemporal Prize honors Bruce (who probably exhibited in more Members Exhibitiontions than any other artist) and in reference to his long-running series of painting entitled Extemporal Suite. \nA prize of $500 will be awarded as “best of show\,” as determined by jurors in a blind\, tiered ranking and a second prize of $300 will be awarded to an artist under 30\, to honor Bruce’s decades of dedication to teaching art to high school students and training teachers at Buffalo State College.
URL:https://thebuffalohive.com/event/buffalo-art-hallwalls-52nd-annual-members-exhibition/2026-08-12/
LOCATION:Hallwalls Contemporary Arts Center\, 341 Delaware Avenue\, Buffalo\, NY\, 14202\, United States
CATEGORIES:Art
ATTACH;FMTTYPE=image/jpeg:https://thebuffalohive.com/wp-content/uploads/2026/06/MembersEx2026CallForWork.jpg
END:VEVENT
END:VCALENDAR