From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]

From the artist: In the studio, I take on the perspective of an “archaeologist of the present” in order to reflect on the climate crisis. Otherwise, the stakes feel too high and making art feels futile and insignificant compared to the magnitude of the problem. I collect fragments of climate news, bureaucratic documents, and mass […]