Composed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Del Águila’s Concierto en Tango for Cell and Orchestra is a modern take on the traditional form, light-hearted and rhythmic. The forced optimism of Symphony No. 5, glorifying Stalin’s regime, proved both career- and lifesaving for Shostakovich.
It Don’t Mean a Thing If It Ain’t Got That Swing! Inspired by Harlem’s famed musical hot spots like The Cotton Club and The Savoy, this swingin’ night of musical sensations focuses on Harlem’s heyday when Duke Ellington’s orchestra was the house band, and Cab Calloway, Ella Fitzgerald, and Ethel Waters showcased the classics of the Great American Songbook.
Some of rock’s most iconic music is recreated in this Windborne Production featuring lead singer Juan Del Castillo, a full rock band, and rock lighting accompanying the BPO.
Two immersive performances designed as a unique, intimate, informal concert experience. Led by BPO musicians Nikki Chooi and Jonathan Borden, the program provides backstory and insight to the short classical music pieces while the audience is seated around the orchestra.
Continuing our Mozart Festival, enjoy works by two peers: Joseph Bologne’s jaunty Symphony No. 2 and Maria Theresia von Paradis’s Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell’arte form. Mozart’s five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery “Haffner” Symphony, honoring a former Salzburg patron, is bold and regal.
Continuing our Mozart Festival, enjoy works by two peers: Joseph Bologne’s jaunty Symphony No. 2 and Maria Theresia von Paradis’s Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell’arte form. Mozart’s five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery “Haffner” Symphony, honoring a former Salzburg patron, is bold and regal.
Our Mozart Festival opens with the “Prague” Symphony No. 38, composed on the heels of The Marriage of Figaro’s tremendous success. Rich in complex subtleties and lyrical sophistication, it spans a full spectrum of emotion. Mozart’s unfinished “Great” Mass in C minor—his most exalted and personal work—was deeply influenced by the Baroque traditions of Bach and Handel. Its original movements journey from somber to soaring, with later 20th-century revisions completing the piece.
Our Mozart Festival opens with the “Prague” Symphony No. 38, composed on the heels of The Marriage of Figaro’s tremendous success. Rich in complex subtleties and lyrical sophistication, it spans a full spectrum of emotion. Mozart’s unfinished “Great” Mass in C minor—his most exalted and personal work—was deeply influenced by the Baroque traditions of Bach and Handel. Its original movements journey from somber to soaring, with later 20th-century revisions completing the piece.
