Join us for a special side-by-side concert with the Fredonia Symphony Orchestra! This collaboration features Fredonia’s College Symphony Orchetra performing alongside the BPO featuring conductors JoAnn Falletta and Emily Schaad. Ticket Prices: $15 – General Admission $25 – General Admission + Alumni Reception Free – All students
Broadway and Hollywood combine for a romantic and entertaining evening of song and dance inspired by the likes of Fred Astaire, Ginger Rogers, Gene Kelly, and Eleanor Powell. With hit tunes like They Can’t Take That Away from Me and Let’s Face the Music and Dance to Singin’ in the Rain and Begin the Beguine, this evening will put a smile on […]
Broadway and Hollywood combine for a romantic and entertaining evening of song and dance inspired by the likes of Fred Astaire, Ginger Rogers, Gene Kelly, and Eleanor Powell. With hit tunes like They Can’t Take That Away from Me and Let’s Face the Music and Dance to Singin’ in the Rain and Begin the Beguine, this evening will put a smile on your face and a spring in your step.
Bradley Thachuk, conductor The premier Pink Floyd experience returns to the BPO with classic hits timed to a laser light show, celebrating 50 years since the studio album Wish You Were Here.
The premier Pink Floyd experience returns to the BPO with classic hits timed to a laser light show, celebrating 50 years since the studio album Wish You Were Here.
Four notes instantly recognizable across generations welcome back the much-loved Symphony No. 5 to the Kleinhans stage. Dance Symphony’s rhythmic jazz motifs were drawn from an evocative Copland ballet about a morbid conjurer who could raise the dead and make them dance. Beethoven expands on Mozart’s influence in his Piano Concerto No. 1, featuring challenging key changes and bold harmonies.
Four notes instantly recognizable across generations welcome back the much-loved Symphony No. 5 to the Kleinhans stage. Dance Symphony’s rhythmic jazz motifs were drawn from an evocative Copland ballet about a morbid conjurer who could raise the dead and make them dance. Beethoven expands on Mozart’s influence in his Piano Concerto No. 1, featuring challenging key changes and bold harmonies.
From his roots in Gospel to forays into R&B and Jazz to top winner of American Idol’s second season, Ruben Studdard has always considered Luther Vandross his hero. He recreates the velvet tones of songs like Here and Now, Aint No Stoppin’ Us Now, Always and Forever, and Dance with my Father for a sentimental return to the ’80s and ’90s.
A special Saturday morning session for our littlest listeners, age 0-5, with their caregivers. Join BPO musicians and community partners for fun musical activities designed specifically for tiny ears and growing minds.
From his roots in Gospel to forays into R&B and Jazz to top winner of American Idol’s second season, Ruben Studdard has always considered Luther Vandross his hero. He recreates the velvet tones of songs like Here and Now, Aint No Stoppin’ Us Now, Always and Forever, and Dance with my Father for a sentimental return to the ’80s and ’90s.
Composed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Del Águila’s Concierto en Tango for Cell and Orchestra is a modern take on the traditional form, light-hearted and rhythmic. The forced optimism of Symphony No. 5, glorifying Stalin’s regime, proved both career- and lifesaving for Shostakovich.
A special Saturday morning session for our littlest listeners, age 0-5, with their caregivers. Join BPO musicians and community partners for fun musical activities designed specifically for tiny ears and growing minds.
Composed to acknowledge an honorary degree despite not attending university, a mischievous Brahms penned the tongue-in-cheek Academic Festival Overture, featuring boisterous student drinking songs. Del Águila’s Concierto en Tango for Cell and Orchestra is a modern take on the traditional form, light-hearted and rhythmic. The forced optimism of Symphony No. 5, glorifying Stalin’s regime, proved both career- and lifesaving for Shostakovich.
It Don’t Mean a Thing If It Ain’t Got That Swing! Inspired by Harlem’s famed musical hot spots like The Cotton Club and The Savoy, this swingin’ night of musical sensations focuses on Harlem’s heyday when Duke Ellington’s orchestra was the house band, and Cab Calloway, Ella Fitzgerald, and Ethel Waters showcased the classics of the Great American Songbook.
Some of rock’s most iconic music is recreated in this Windborne Production featuring lead singer Juan Del Castillo, a full rock band, and rock lighting accompanying the BPO.
Two immersive performances designed as a unique, intimate, informal concert experience. Led by BPO musicians Nikki Chooi and Jonathan Borden, the program provides backstory and insight to the short classical music pieces while the audience is seated around the orchestra.
Continuing our Mozart Festival, enjoy works by two peers: Joseph Bologne’s jaunty Symphony No. 2 and Maria Theresia von Paradis’s Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell’arte form. Mozart’s five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery “Haffner” Symphony, honoring a former Salzburg patron, is bold and regal.
Continuing our Mozart Festival, enjoy works by two peers: Joseph Bologne’s jaunty Symphony No. 2 and Maria Theresia von Paradis’s Overture to The School Candidate, her sole surviving orchestral piece, in commedia dell’arte form. Mozart’s five violin concertos, composed in 1775, culminate in a Fifth that is imaginative and technically challenging. The fiery “Haffner” Symphony, honoring a former Salzburg patron, is bold and regal.
Our Mozart Festival opens with the “Prague” Symphony No. 38, composed on the heels of The Marriage of Figaro’s tremendous success. Rich in complex subtleties and lyrical sophistication, it spans a full spectrum of emotion. Mozart’s unfinished “Great” Mass in C minor—his most exalted and personal work—was deeply influenced by the Baroque traditions of Bach and Handel. Its original movements journey from somber to soaring, with later 20th-century revisions completing the piece.
Our Mozart Festival opens with the “Prague” Symphony No. 38, composed on the heels of The Marriage of Figaro’s tremendous success. Rich in complex subtleties and lyrical sophistication, it spans a full spectrum of emotion. Mozart’s unfinished “Great” Mass in C minor—his most exalted and personal work—was deeply influenced by the Baroque traditions of Bach and Handel. Its original movements journey from somber to soaring, with later 20th-century revisions completing the piece.
